Carter Burwell - Music For Film
Brussels Philharmonic
Preview Carter Burwell - Music For Film- 16-bit FLAC
01/12/2022
Silva Screen Records Ltd
| Track Number | Track Title | Track Length | Track Price/Buy Link |
|---|---|---|---|
| 1 | Miller's Crossing End Credits (From "Miller's Crossing") (From "Miller's Crossing") | 4:06 | |
| 2 | Fargo North Dakota (From "Fargo") (From "Fargo") | 2:40 | |
| 3 | The Spanish Prisoner (From "The Spanish Prisoner") (From "The Spanish Prisoner") | 2:18 | |
| 4 | Friend? (From "Gods and Monsters") (From "Gods and Monsters") | 1:52 | |
| 5 | Puppet Love (From "Being John Malkovich") (From "Being John Malkovich") | 1:42 | |
| 6 | The Trial of Ed Crane (From "The Man Who Wasn't There") (From "The Man Who Wasn't There") | 3:42 | |
| 7 | Prologue / Medieval Waters (From "In Bruges") (From "In Bruges") | 2:58 | |
| 8 | Bella's Lullaby (From "Twilight") (From "Twilight") | 2:18 | |
| 9 | A Serious Man (From "A Serious Man") (From "A Serious Man") | 2:38 | |
| 10 | River Crossing / Talk About Suffering / The Wicked Flee (From "True Grit") (From "True Grit") | 6:11 | |
| 11 | Mildred Pierce Opening Titles (From "Mildred Pierce") (From "Mildred Pierce") | 1:42 | |
| 12 | Olive Opening (From "Olive Kitteridge") (From "Olive Kitteridge") | 2:06 | |
| 13 | Opening (From "Carol") (From "Carol") | 2:20 | |
| 14 | Anomalisa Overture (From "Anomalisa") (From "Anomalisa") | 2:04 | |
| 15 | Flags and Steeples (From "The Founder") (From "The Founder") | 2:19 | |
| 16 | 5 A.M. / Hail Caesar! (From "Hail Caesar!") (From "Hail Caesar!") | 4:01 | |
| 17 | Drawing Pooh (From "Goodbye Christopher Robin") (From "Goodbye Christopher Robin") | 2:30 | |
| 18 | Silent Whispers / Little Girl Big City (From "Wonderstruck") (From "Wonderstruck") | 3:32 | |
| 19 | My Dear Anne / Billboards on Fire (From "Three Billboards Outside Ebbing Missouri") (From "Three Billboards Outside Ebbing Missouri") | 5:20 |
- Duration:
- 56:19
- Genres:
- Soundtracks
- ℗ 2018 Silva Screen Records Ltd.
- © 2018 Silva Screen Records Ltd.
